#48 – Star Crash

Okay Fellas,


I guess up to the task to draft this review.  So Bill E swooped in and chose the epic Star Wars knockoff Starcrash.  And it is a knockoff in pretty much every sense of the word.  

“Surprise! I’m not only not dead, but I now I will reveal my secret LASER fingers! Take this you villain!”

Did you enjoy the late Carrie Fisher’s portrayal of Princess Leia in her skimpy slave suit?  Well Stella Star has you covered as she changes into more skimpier and skimpier outfits than Star Wars installations.  Did you enjoy the footage from the ice planet Hoth?  Well Stella Star and her android side kick C3Penis (a bigger blacker version of C3PO that for some reason has a hick accent) have got you covered.  Do you enjoy lightsabers?  You guessed it this movie has those too.  There are probably many other tie-ins that I can’t think of at the moment but it was a sheer joy to witness.


The “witty” dialog, sheer impossibility of the indestrucable force that is our main characters, and cheesy 70’s sci-fi special effects alone were enough to make this movie enjoyable for me but all of the stuff referenced in the paragraph above just added icing on the cake.

Is that woman wearing two 3 liter coke bottles on her head? that’s the best costuming since that alien knockoff used fast food containers.


I could attempt to outline the plot but to be honest there were so many twists and turns I don’t think I can truly articulate that right now.  I probably should’ve wrote this immediately after the movie.  But seriously I enjoyed this one.  It’s Billy D’s turn this week and rolls around to Mark if need be.  

See you all tomorrow night movie buds. 

-Qaadir

Star Crash
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Starcrash is a 1978 American space opera film directed and co-witten by Italian filmmaker Luigi Cozzi,[3] and starring Marjoe GortnerCaroline MunroChristopher PlummerDavid Hasselhoff and Joe Spinell.[4][5][6][7] It is widely regarded as a "cash-in" on the unprecedented success of Star Wars.

Filmed in Rome, the film was an American production produced independently by brothers Nat and Patrick Wachsburger for Los Angeles-based New World Pictures. It is considered a cult classic.

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